• I WON CTM 2019 Radiolab

(Non) Humanism & Animism - audeamus 2018  (photo by Herre Vermeer)(photo Herre Vermeer)

OVER THE MOON THAT I WON THE CTM 2019 RADIO LAB IN BERLIN. Huge gratitude to CTM in Berlin, Gaudeamus Muziekweek & Muziekhuis in Utrecht, and last but not least ensemble But What About: your support is worth a billion <3. PS: Big congratulations as well to Israel Martínez, who won together with me !

 

///

Two winning projects have been selected from an open call for the CTM 2019 Radio Lab. The organisers would like to thank everyone who took the time to submit their proposals, which totalled 175 entries from 43 countries, and collectively addressed the call’s themes and challenges from a wide and interesting array of perspectives.

Awarded by Deutschlandfunk Kultur – Radio Art/Klangkunst and CTM Festival, in collaboration with ORF musikprotokoll im steirischen herbst festival, Ö1 Kunstradio, and The Wire magazine, the CTM 2019 Radio Lab open call sought unusual explorations of the artistic possibilities of radio and live performance or installation mediums, while also addressing the CTM 2019 – Persistence festival theme.

With (Non) Humanism and Animism, Aurélie Nyirabikali Lierman researches (modern) forms of animism, and how animistic worldviews have managed to survive in spite of severe oppression through heavy colonization.  Herself born in Rwanda but raised in Belgium, Lierman takes direct inspiration from a series of life-changing encounters with her 108-year-old grandfather, one of the last living Rwandan traditional hunters and doctors that has seen the pre-colonial country of his childhood pass through two colonization events (German and Belgian), the 1950s revolution for independence, the genocide and post-war massacres of the 90s, and the country’s present-day turmoil. Lierman’s family visits have resulted in an ongoing investigation into the soundscape of contemporary urban and rural East African, and of her native region of Virunga in particular. The Wire‘s Phil England comments: “(Non) Humanism & Animism will give festival attendees and radio listeners a unique perspective into a contrasting cultural perspective, one that we hope will transport listeners into another reality while providing an insight into a colonial past that needs confronting as well as a powerful, living example of persistence.”

“Persistence in Mexico, as in other parts of the world, or rather, throughout the world, today, is not a choice or a possibility: it is a condition to be able to survive, to be able to imagine a different future … contributing substantially to critical thinking and resistance throughout the world” writes Mexican sound artist Israel Martínez. With Love and Rage, the artist proposes a tribute to the persistence of resistance via a series of powerful, intimate performances that give “a very strong sonic statement on political activism in Mexico, resonating with many forms of persistence around the world.” Marcus Gammel (Deutschlandfunk Kultur).

The winning works will be premiered at CTM 2019 Festival in Berlin (25.01. – 03.02.2019), with radio versions to be broadcast via Deutschlandfunk Kultur (spring 2019). The works will also be presented by the Österreichischer Rundfunk (ORF Austrian Broadcasting Service) via one of their platforms: the ORF Zeit-Ton or Ö1 Kunstradio shows, or the ORF musikprotokoll im steirischen herbst festival in Graz in autumn 2019.

The jury consisted of:
Cedrik Fermont (independent artist and researcher)
Elisabeth Zimmerman (Producer, ORF Kunstradio)
Jan Rohlf (Artistic & Managing Director, CTM Festival)
Marcus Gammel (Curator, Deutschlandfunk Kultur Radio Art / Klangkunst)
Philip England (The Wire)

 

• Meet The Artist

(Non) Humanism & Animism my newest performative installation was premiered by ensemble But What About this last weekend, at Gaudeamus 2018. Here a talk about the creative process moderated by Rens Machielse, former director HKU Muziek & Technologie. Interviewees are me & Marte Boneschansker (who also was featerud at Gaudeamus with her project BLOOS). – Extra guests: But What About (Wilco Oomkes), Matthías Ingiberg Sigurðsson (composer for BLOOS)

• (Non) Humanism & Animism

4 (Non) Humanism & Animism by Aurélie Lierman at Gaudeamus Muziekweek 2018 - photo Herre Vermeer) - Marianna SorokaWe live under constant visual stimulation these days. But for most of us our ears are still our primary sense organ to engage with the world around us: for orientation, to detect possible threats; either create a feeling of safety, comfort and… even belonging. I have always been curious about our emotional responses to sound and our tendency to – regardless of the degree of abstraction – create meaning and eventually a whole (imaginary) narrative around it.

(Non) Humanism & Animism is my new series of sonic researches zooming in on the semiotic power of sound and also acoustics: conceived as a performative installation and an attempt to unfold various sonic perspectives as well as sonic choreographies. In my first ‘episode’ of this series – subtitled Absental Dynamics  – all is an exploration into the single perspective of how we humans perceive sound: how we hear and listen. Hence a set up that can accurately represent the human hearing apparatus: every listener receives a set of headphones to listen to binaural sound (3D audio).
Absental Dynamics is the forerunner of a performative installation in which I will integrate a more inclusive view on the act of listening: reflecting on interaction and communication with humans as well as with non humans and other sentient beings (e.g. animals, plants, inanimate objects, spirits).
(Non) Humanism & Animism, will get premiered by But What About at Gaudeamus Muziekweek 2018 in Utrecht (NL).
(photos Herre Vermeer, installationview of (Non) Humanism & Animism)