• Meet The Artist

(Non) Humanism & Animism my newest performative installation was premiered by ensemble But What About this last weekend, at Gaudeamus 2018. Here a talk about the creative process moderated by Rens Machielse, former director HKU Muziek & Technologie. Interviewees are me & Marte Boneschansker (who also was featerud at Gaudeamus with her project BLOOS). – Extra guests: But What About (Wilco Oomkes), Matthías Ingiberg Sigurðsson (composer for BLOOS)

• (Non) Humanism & Animism

(Non) Humanism & Animism - audeamus 2018  (photo by Herre Vermeer)
 (photo Herre Vermeer, installationview of (Non) Humanism & Animism)
We live under constant visual stimulation these days. But for most of us our ears are still our primary sense organ to engage with the world around us: for orientation, to detect possible threats; either create a feeling of safety, comfort and… even belonging. I have always been curious about our emotional responses to sound and our tendency to – regardless of the degree of abstraction – create meaning and eventually a whole (imaginary) narrative around it.

(Non) Humanism & Animism is my new series of sonic researches zooming in on the semiotic power of sound and also acoustics: conceived as a performative installation and an attempt to unfold various sonic perspectives as well as sonic choreographies. In my first ‘episode’ of this series – subtitled Absental Dynamics  – all is an exploration into the single perspective of how we humans perceive sound: how we hear and listen. Hence a set up that can accurately represent the human hearing apparatus: every listener receives a set of headphones to listen to binaural sound (3D audio).
Absental Dynamics is the forerunner of a performative installation in which I will integrate a more inclusive view on the act of listening: reflecting on interaction and communication with humans as well as with non humans and other sentient beings (e.g. animals, plants, inanimate objects, spirits).
(Non) Humanism & Animism, will get premiered by But What About at Gaudeamus Muziekweek 2018 in Utrecht (NL).

• Errant Bodies book OUT NOW!

Grounds for possible music, Errant BodiesGender, voice, language, and identity are four important notions for musical creation, for the shaping of a canon, and for the interactions in the field. All four notions are strongly contextual and carry an inherent sense of paradigm and otherness. Other and self are defined via orientation and history, expressed via voice, and confirmed in language.

In this publication, these four core notions serve as a set of lenses permitting different perspectives on one another. However much the field of the sounding arts might pretend to be tangential to such affections, they provide important grounds for musical creation.

Some twenty artists, including myself, have created a variety of outputs – as different in form, strategies, approach, and language, as they are rooted in a variety of sub-fields within the sounding arts.

GROUNDS FOR POSSIBLE MUSIC is edited by Julia Eckhardt/Q-02 (Brussels), published by Errant Bodies Press (Berlin).

• Tinguely, Bauhaus & HKW

Radiophonic SpacesSo much fabulous radiophonic news from the German speaking part of the world: last summer Anosmia was part of Savvy Funk at Documenta 14 in Kassel and Berlin. Next month, from May 4th 2018 till June 16th 2018 Anosmia will be featured in Interspaces an exhibition in Kunstlerhaus Kärnten in Klagenfurt in Austria.

And, last but not least, Anosmia will be on display for Radiophonic Spaces: the very first large scale overview exhibition about 100 year Radio Art to be held in Museum Tinguely in Basel, in Bauhaus in Weimar and Haus der Kulturen Welt in Berlin from October 2018 till September 2019. Anosmia will be featured alongside 200 treasures by a.o. Antonin Artaud, Orson Welles, Samuel Beckett, John Cage, Friederike Mayröcker to Michaela Mélian, Brandon LaBelle, Alessandro Bossetti, Ahmet Ögüt or Natascha Sadr Haghighian.

• Stereophonic in(ter)ventions

Some geeky impressions from my artistic residency at Gaudeamus and Muziekhuis in Utrecht. Preparing the technical part of a new radio phonic live performance commissioned by Gaudeamus Muziekweek, to be premiered by ensemble But What About upcoming September 2018. Now, together with Ruud van Kluten re-discovering several historical speaker and headphone stereophony possibilities. Most of it is a loud and clear re confirmation of the tremendously deep ‘power of sound’.

presentatie 22.04.2018 Gaudeamus - photo by Connor Walsh2 rehearsal But What About for Gaudeamus - photo by Aurélie Lierman 1 rehearsal But What About for Gaudeamus - photo by Aurélie Lierman - photo by Aurélie LiermanGaudeamus Residency Spring 2018 - photo Aurélie LiermanGaudeamus Residency Spring 2018 - photo Aurélie LiermanGaudeamus Residency Spring 2018 - photo Aurélie LiermanStereophonic in(ter)ventions at Gaudeamus Residency photo Aurélie LiermanStereophonic in(ter)ventions at Gaudeamus Residency photo Aurélie LiermanStereophonic in(ter)ventions at Gaudeamus Residency photo Aurélie LiermanStereophonic in(ter)ventions at Gaudeamus Residency photo Aurélie LiermanGaudeamus Residency Spring 2018 - photo Aurélie LiermanGaudeamus Residency Spring 2018 - photo Aurélie LiermanGaudeamus Residency Spring 2018 - photo Aurélie LiermanGaudeamus Residency Spring 2018 - photo Aurélie LiermanStereophonic in(ter)ventions at Gaudeamus Residency photo Aurélie Lierman

photos Aurélie Lierman

 

• I AM TEACHING

I love giving lectures, teaching masterclasses and tailoring workshops related to vocal art and radio art: for individuals as well as groups! I have had the tremendous honour to have been taught in formal and informal ways from an innumerous amount of inspiring and generous masters (see bio); and I am excited to pass on all I have learned and discovered along the way. So from 2018 onwards I’ll be teaching on a more regular basis.

Fez teaching 1Vocal choir sessionZwolle Artez 2Zwolle Artez 3Zwolle Artez 1

– If you are interested send me a message via the contact page for more info. And click here to see where else I may be teaching in the near future.

 

• But What About

But What About

Extremely excited about 2018 as I will start a close collaboration with But What About (BWA): a young and promising Dutch ensemble for new music from The Hague. I will join BWA for their project Disrupted Transmissions – focussing on ideas of language and communication. Fitting in my piece Tele Drumming (2016) as well new work tailored for BWA. Alongside existing pieces such as Aphasia by Mark Applebaum, Coming Together bFrederic Rzewski,  Gesprek by Martijn Padding & Louis Andriessen, Cheating Lying Stealing by David LangTour dates in NL tba.

I will also feature as a guest vocalist for BWA’s upcoming project Confrontations In Dialogue (USA/NL tour 2018-2019) including works by Patrick David Clark, Jan-Peter de Graaff, John Cage, Louis Andriessen and Sunbin Kim

• ASIA ON TAPE 2017

My artistic residency at Lijiang Studio is coming to an end. Tomorrow is my last full day and last chance to make some fieldrecordings in rural Yunnan. Fridaymorning I may witness a Dongba ritual, in the afternoon I’ll be flying to Shanghai for an extended weekend of fieldrecording in a urban environment. Next Tuesday I’ll be crossing the Pacific Ocean direction Montalvo Arts, California, USA for my second artist residency this summer.

Lijiang (old and new town) Yunnan, China

• Click here for pics from my travels to Beijing, Lijiang, Lashihai, Dali, Shaxi & Shanghai (July/August 2017)

• Read here more about Asia On Tape, an offspring of my ongoing project Africa On Tape

• interview Radio Klara, VRT/China

Globalization and telecommunication at its best ! Today Vincent Meessen and me had a talk about the exhibition Patterns for (Re)cognition at Radio Klara (VRT). Vincent live from the radio studio in Brussels. And me – via the phone – live from Lijiang Studio Yunnan, rural China, lower Himalayas (Yes, flew almost directly from East-Africa to East Asia. Here right now in an absolutely fabulous residency run by Jay Brown & curated by Crystal Pascucci). Vincent and me were talking about Tshela Tendu’s pioneering Congolese modern art in the 1930’s, Tshela Tendu’s one time accidental meeting with Jan Vansina in the 1950’s. In case u missed it, here a link to the radio interview (in Dutch).

• Vernissage Bozar

Très Grand Merci – Super dank my countless dear friends, colleagues and former teachers (!): the vernissage in Bozar was thanks to your visit a dream come true. My first happening and exhibition in Belgium as a sound artist, but what a blissful experience.

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… and last but not least: thank you Vincent Meessen for your invitation into this inspiring collaboration

click here for more expo and vernissage pics.

collaborators

• The Birth Of A Trio

If you are tomorrow in The Hague you could witness the birth of a trio featuring Abel Fazekas (HU) and Riccardo Marogna (IT) both on bassclarinet (!) and myself as a soprano singer.

The Birth Of A Trio

– special thanks to Michael Pisaro and his inspiring concert in The Hague a few monhts ago, as that’s where one of the first seeds were planted for this new collaboration – now daydreaming of tomorrow May 19th, that’s when we will have our ‘worldpremiere’ at Studio Loos, in The Hague/ Same night same place also worth to check out some utterly beautiful new work (performative and installation) by Lauge Dideriksen/Julie Hasfjord, Adam Bonser and Daniel Fabris.

• New Slagwerk Den Haag commission

.. meanwhile slowly descended from my journey on sub alpine altitudes in Rwanda. It was a soft and gentle landing into the Lowlands.

Currently developing a brand new sonic sculpture and a new composition for a set of large African drums, field recordings and children choir! I’m so excited that both are commissioned by Slagwerk Den Haag – one of my all time favorite music ensembles – and that both are to be premiered, early 2017, at this magnificent Richard Meier building (the City Hall of The Hague) as a part of City of Sounds.

Slagwerk Den Haag is spreading the love for sound by organizing many workshops and some fab contest for kids, all around the idea of listening and collecting sounds in the city of The Hague – Go and check out http://cityofsounds.nl

City of Sounds - a sonic portrait of The Hague

if u want to see more pics of the Richard Meier building, click on this one above

• Sogokuru

This is my  grandfather, a light-hearted, powerful and wise soul. Current age estimated between 106 and 112 years old. Just some days ago I went to visit him at his home in rural Rwanda.

Meanwhile,… on Mt. Karisimbi, Rwanda

He is said to be one of the last traditional medicine men in northern Rwanda. People sometimes travel up to 100 km, often barefoot, to get cured by him. In his younger years he would go for epic walks into the subalpine forests of the Virunga mountains: to collect herbs and minerals for his medical practice, to hunt all sorts of wild life and also for beekeeping and honey collecting. He has lived all his live at the foot of volcano Mt. Karisimbi, my own birthplace, just at the border with the Democratic Republic of Congo. In my grandfather’s mind that border didn’t  really exist. He used to go freely wherever the journey’s leading to.

I consider my grandfather a miracle of our contemporary times: he is the only person I know off who’s experienced all the major (often atrocious) events and transformations a Rwandan person could possibly experience in the 20th and early 21st century. He was around when the pre colonial kingdom of Rwanda was still in function, has seen the early transitions towards colonization by the Germans, quickly followed by the Belgians who drastically overturned every aspect of Rwandan society. There was the violence and turmoil of the Rwandan Revolution in the 50’s and the independency throughout the ’60’s, 70’s and 80’s. There was the 1994 Genocide and the post-war massacres – amongst the worst in his village and region. And yet – in spite of this all – he still is driven by an endless positivity and unconditional love towards his fellowman and environment. His great sense of humor is unstoppable and his erupting laughters and whirling naughty giggles are contagious.

We met last in 2011, and I went to visit him again mid August and last saturday, for some in-depth talks. Especially his revelations about his life as a hunter and traditional doctor were for me – having grown up in the totally different environment of Bruges in Belgium- mind blowing. 

An African proverb says “When an African man dies, a library burns to the ground”. So of course I have ‘taped’ every little word and sigh of my grandfather’s parchment-like, ultra fragile and soft voice. And the videos and binaural audio tapes that I have gathered  are amongst the most ‘precious treasures’ of my personal AFRICA ON TAPE archive – so I hope the recordings can serve one day as a source for oral history of the Virunga MountainsAnd yes, time is against me, but I’ll do everything I can to get another chance to visit my grandfather some time soon to listen ‘nd tape more stories from the past.

Bondy and Nickita, I feel very blessed that you were accompanying me on those very special excursions to Mt. Karisimbi. Thank you also to my precious family in Rwanda for the amazing time we shared together. And to my friends that encouraged me, despite all my doubts and fears to take the flight back home, back to my ancestral territory: BIG THANK YOU !

• Expanding Big Bang

The Cruel Mother (premiere)

The past week has felt like a personal big bang… and now my musical world is slowly but surely expanding beyond my own imagination. Last weekend Renan Zeladan Cisneros send me his newest song cycle: a very touching triptych with texts by Gerard Reve, Pedro Lemebel and Yukio Mishima. I do the solo vocal part. Grateful that I’ll be accompanied by Ivan Pavlov on grand piano.

Locked myself twice into a recording studio for vocal recordings in preparation for fascinating new compositions. One by Andrius Arutiunian‘s for tape and ensemble. The other one by Nikos Kokolakis for voice, tape and percussion based on texts by Borges. Very curious to get to hear these !

Meanwhile I also had my first rehearsals for The Cruel Mother based on an anglo saxo horror folksong, re written by Sasha Thiele. My partner in crime in this is Salomé Gasselin (FR): getting goose bumps with each strike on her viola da gamba.

On top of that I yesterday also received a new vocal duet by Quang Ngo Hong. It’s inspired by Vietnamese traditional music with a certain jodel technique, fully written in Hmong, a Vietnamese minority language. Quang and me will sing it together and he’ll teach it to me in person: word by word, note by note, sound by sound.

I have commissioned an even larger number of composers to write new vocal pieces, so I am expecting more of these ‘big bang‘ weeks. Premieres of all these vocal pieces will be scheduled from April on  and beyond.

The Cruel Mother (by Sascha Thiele)

• Dar Es Salaam calling

Just back home from touring the USA , but already moving on to a new exhibition project in Dar Es Salaam, which will feature new photography and video work by Nicholas Calvin, Tanzanian visual artist. I will reinterpret Nicholas Calvin’s visuals and create several new sound installations from it. To premiere my very first sound installations in Tanzania means a lot to me: all the inspiration I got from several travels in East Africa over more than a decade, now will finally find its way back to East Africa

20150604-IMG_4585

click on the picture above to see more of Nicholas Calvin’s collection

 

 EXPO INFO:

[Context/Gravity/Expressions]

Nicholas Calvin (TZ) & Aurélie Lierman (BE/RW)

new video and sound installations + photo exhibition

daily 15.09.2015 – 30.09.2015

Alliance Française Dar Es Salaam

Dar Es Salaam (TZ)

curator Anoek De Smet

 

• West Coast <3

My tour along the West Coast of the US is completed.  Had live improv and new music gigs at Seattle, Los Angeles, San Francisco & Oakland – where I had the chance to discover the wonderful communities of experimental artists – what a great and productive crowd. Special thanks to Motoko Honda, Carmina Escobar, Theresa Wong, Aram Shelton, Mark Clifford, Lorin Benedict, Bob Marsh for the inspiring and heartwarming artistic collaborations on and off stage. Well, I am in love with the West Coast, so plans are made to come back asap and make more music, much more !

Aurélie Lierman USA Tour 2015 (radio Dublab, LA)

radio interview with Arshia Haq at Dublab Radio in Los Angeles

• France Culture – radio interview – FR

Invited by Thomas Baumgartner from L’Atelier du son for a chat about my work as a radio artist. Focussing on Anosmia, a reflection on the Rwandan Genocide, and Sampling the Man of Memory, a sound installation created for the current expo Patterns for (Re)cognition at Kunsthalle Basel (CH)

L’Atelier du son

Friday 24.04.2015

23h00 – 00h00 CET

France Culture – Paris (FR)